Select Bloom Miscellany
- Mayor Bartholomaus Blume of Marienburg
- James Gardner Bloom of Norfolk
- James Joyce's Leopold Bloom
- Bloom's Restaurant in London
- Blums, Bloms, and Blooms into America by Place of Origin
- The Blooms of Clearfield County, Pennsylvania
- Morris Bloom Wedded to Sarah Greenberg
- Hyman Bloom the Painter
Mayor Bartholomaus Blume of Marienburg
The town of Marienburg in Pomerania (now part of Poland) had sprung up around its castle which had been built by Teutonic knights on the east bank of the Nogat river. In 1457 the castle was pawned to imperial Bohemian soldiers who then sold it to the King of Poland. The town itself came under Polish attack but held out under Mayor Bartholomaus Blume for three years. When the Poles finally took control in 1460, Blume was hanged and quartered.
A monument was erected in the town to Blume in 1864.
James Gardner Bloom of Norfolk
James Gardner Bloom was a prominent citizen of Wells-next-the-Sea in
Norfolk. Ursula Bloom in her novels claimed that he almost made
it to the peerage. However, the process was interrupted by the
madness of George III. The Regency which followed didn't favor
the Bloom family.
A painting of him shows him in his militia uniform at the
time of the Napoleonic threats to England. Ursula Bloom claimed
in her book The Rose of Norfolk
(which mainly covered the next generation of Blooms) that his fair
coloring was due to Danish ancestry.
James Joyce's
Leopold Bloom
Leopold Bloom is the fictional protagonist of
James Joyce's Ulysses. His
peregrinations and encounters in Dublin on June 16, 1904 are intended
to
mirror, on a more mundane and intimate scale, those of Ulysses in
Homer's Odyssey.
Bloomsday, June 16, is celebrated each year by enthusiasts of James
Joyce.
Born in 1866, Leopold
Bloom was the only son of Rudolf Virág, a Hungarian Jew from
Szombathely who had emigrated to Ireland, converted from Judaism to
Protestantism (after he had married Ellen Higgins), changed his name to
Rudolph Bloom, and later committed suicide. At the time of
Leopold's fictional birth, the Jewish population of Dublin numbered
some two hundred. Leopold was in fact born in an area of Dublin
known as "little Jerusalem." Today a plaque on Clanbrassil Road
marks the spot.
"Here,
in Joyce's imagination, was born Leopold Bloom, citizen, husband,
father, worker, the reincarnation of Ulysses."
Leopold himself was
not circumcised. He had converted to Catholicism in order to
marry Molly Tweedy in 1888. The couple had one daughter, Milly,
born in 1889. Their son Rudolph (Rudy), born in 1893, had died
after just eleven days. They were living at 7 Eccles Street in
Dublin at the time of Ulysses.
Bloom's Restaurant in London
For the nearly 45 years of its existence, Bloom’s restaurant in Whitechapel in the East End of London was a magnet for exuberant dining. Be it the Marx Brothers or Princess Margaret, Frank Sinatra or Barbra Streisand, the boast of the proprietor, Sidney Bloom, was that no one ever went away hungry.
The establishment was equally well known for its cast of manic and long-serving waiters, who often featured in the - “waiter, waiter, there’s a fly in my soup;” “be quiet or they’ll all want one” - type of joke. One of the best known (jokes, not waiters) was the story of the Chinese waiter who was congratulated by a diner on his excellent Yiddish. “Shush, he thinks he is learning English,” said the manager.
Quietly presiding over this theatre of dining was Sidney Bloom, a modest, shy, cautious man who, with his wife Evelyn, created Britain’s most famous kosher restaurant. Born in the East End, Bloom was educated at Raine’s Foundation School but left at 16 to join his parents’ salt beef business. Morris and Rebecca Bloom opened their shop in Brick Lane, then a centre of Jewish commercial life, in 1920.
Morris, a pre-First-World-War immigrant from Lithuania, had learnt the art of pickling meat in his home town. He got up at 3 am to go to the kosher meat market that then flourished in Aldgate, brought his purchases home by wheelbarrow, and pickled beef until the restaurant opened. He later decided to try his hand at sausage-making. Because he used veal rather than beef, resulting in paler sausages than people were used to, he initially had to give them away to convince customers of their tastiness.
The little restaurant flourished and Morris moved to a larger site in Brick Lane and opened a meat products factory in the next road, Wentworth Street. The restaurant moved into the factory, “over the sawdust,” when it was hit in the Blitz. After the War, the restaurant moved to Whitechapel and later to Golders Green and continued until 2010.
Blums, Bloms and Blooms into America by Place of Origin
| from: |
Blums |
Bloms |
Blooms |
Total |
Percent |
| German lands |
1,226 |
56 |
47 |
1,329 |
63 |
| Sweden/Scandinavia |
- |
280 |
42 |
322 |
16 |
| Russia |
192 |
20 |
- |
212 |
10 |
| France |
170 |
- |
- |
170 |
8 |
| England |
- |
- |
44 |
44 |
2 |
| Netherlands |
- |
14 |
- |
14 |
1 |
| Total |
1,588 |
380 |
133 |
2,091 |
100 |
The Blooms of Clearfield County, Pennsylvania
The Blooms had been in Clearfield county, Pennsylvania for over a
hundred years when they held their family reunion in 1909. This
was an acoount of the family at that time.
The ancestor Bloom and his helpmate had eleven children, seven sons, four daughters, and from them are descended the many hundred Blooms of Clearfield and surrounding counties. The Blooms have figured extensively in the affairs of Clearfield county since its inception.
They are a hearty and tall people, noted for longevity and multiplicity. Ross Bloom of Curwensville, who was eighty-eight years old, attended the gathering of the family; as did Benjamin Bloom who has a record of which he can be proud. He is seventy seven years old and the father of thirteen children, eleven of whom are living. He has so many grandchildren that he fears of missing some should he endeavor to count them, scores of great-grandchildren and seven great-great-grandchildren.”
Morris Bloom Wedded to
Sarah Greenberg
The following article appeared in the October 1, 1878 edition of the New York Times.
Bloom's relatives in the clothing business had other plans, however, for the advancement of Morris and urged him to break his engagement with Sarah in order that he might marry some girl of means and commence business on his own account.
But the young peddler was constant in his affection and refused to comply with their wishes. Sarah kept house for her brothers and worked as a tailoress. Bloom's refusal to give up the young girl resulted in the estrangement of his relatives. When the requisite time had elapsed he found himself without funds to celebrate his marriage or to begin housekeeping. Abraham and David, Sarah's brothers, did agree to give $300 which they had saved to furnish rooms for their sister. So the young couple, happy despite their poverty, presented themselves to the Mayor's office to be married.
There they were told that the ceremony could not be performed unless a fee of $5 were paid. Not being in a position to pay that sum, they adjourned to Judge Gildersleeve's chambers. Here they were speedily made man and wife in the presence of a crowd of lawyers, reporters, and court attendants."
Hyman Bloom the Painter
Hyman Bloom, who died in 2009 at the age of ninety six, was one of the
last survivors of the thousands of artists who benefited from the
patronage of President Roosevelt's New Deal program, the federal arts
project. This project ran from 1935 to 1943 and at its height
employed 5,300 artists.
Bloom, whose surname was Melamed, had arrived with his parents in 1920
in Boston where they had changed their name to Bloom. His
paintings had their first outing in 1942 when he was a "shy,
mop-headed" young artist living "a hermit-like existence in a Boston
slum."
Bloom had originally wanted to be a rabbi, but his father
couldn't find a teacher for him. So he made rabbis a subject of
his paintings. His style of richly colored agitated pigment laid
on heavily was like a visual equivalent of the stories of Isaac
Bashevis Singer. He was also clearly influenced by the European
expressionists George Rouault and Chaim Soutine. The New York
critic Hilton Kramer once wrote that on approaching the gallery showing
Bloom's work he could smell the pastrami.
Return to Top
of Page
Return to Bloom
Main Page